Steven R. Hammer, Ph.D.

Assistant Professor
Discipline Taught: Communication Studies
Email: shammer@sju.edu
Website: http://www.stevenrhammer.com/ @patchbaydoor

Education

Ph.D., Rhetoric, Writing, and Culture | NDSU

M.A., Communication & Women's Studies | NDSU  

Courses Taught

  • COM 200: Communication Theory and Practice
  • COM 476: Audio Production & Design

Publications

Selected Publications

“Meatspace Glitch: Exploring Pre-Digital Glitch/Art in/with Human Bodies.” Gli.tc/h Reader[ror] 2112. Unsorted Books. (forthcoming)

Maylath, Bruce, and Steven Hammer. “The Imperative of Teaching Linguistics to Twenty-First-Century Professional Communicators.” Teaching Culture and Communication in Global Contexts. Eds. Kirk St. Amant and Madelyn Flammia. Piscataway, NJ: Wiley/IEEE Press. (in press)

Hammer, Steven, and Bruce Maylath. “Social Media in Trans-Atlantic Translation Projects.” Emerging Pedagogies in the Networked Knowledge Society: Practices Integrating Social Media and Globalization. Eds. Marohang Limbu and Binod Gurung. Hershey, PA: IGI Global, 2013.

Hammer, Steven, and Shawne Michaelain Holloway. “1_approach.dnm: (inter)active viewership in dirty new media”. Dirty New Media. Presented by Vivid Projects, Curated by Antonio Roberts for The Barber Institute of Fine Arts, Birmingham, England. (March 2012).

“Sound as Art as Anti-Environment.” Sounding Out! (November 2012). Web. http://soundstudiesblog.com/2012/11/26/sound-as-art-as-anti-environment/

“Creative Destruction: War and Peace in the Global Village, Remixed.” Enculturation (December 2011). Web. http://enculturation.gmu.edu/creative-destruction

Selected Exhibited Works

w¡nd0worsh0pp¡ng. Digital Video. Arts Partnership Art Marathon. Fargo, ND USA. 2014 in$ide$.dnm. Sound. Mute Sound, 1-minute Autohypnosis Project, CD #21. Web. Ambient Cinema. 2013. Multimedia Installation. Plains Art Museum, Fargo, ND USA. soSocial. 2013. Animated .gif. The Wrong New Digital Art Biennale, Homeostasis Lab, http://thewrong.org. http://www.homeostasislab.com/Steven-R-Hammer “Memory-as-Data: Variations on a Favorite Day.” Northern Eclecta 7 (2013). Print. Toward an Object-Oriented Sonic Phenomenology. 2012. Not For Human Consumption. Sound and Text. CRISAP, London, England. “Through Nonhuman Ears: Toward Object-Oriented Listening.” Sensory Studies Sound Gallery (August 2012). Web.

Research

  • New Media Art 
  • Sound Design/Production/Art
  • Disability Studies

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