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THE CRUCIFIXION WITH MEDALLIONS OF THE CROWNING WITH THORNS AND THE ENTOMBMENT OF JESUS

c. 1905-06
Louis Koch, Beauvais, France
Saint Joseph’s University Collection
(formerly in St. Edward the Confessor Church, 1865-1993)

This French window, designed in the Bavarian pictorial style that so displeased architect Audsley, was placed directly above the main altar.
The pastor, Fr. Vandegrift defended his choice of windows in a 1903 brief history of the parish: “The chief aim of the artist has been to retrace, according to the best traditions of the thirteenth and fourteenth centuries... This has been done, however, without any attempt at copying the archaicism [sic] or the stiff, angular forms of the period. At the same time the traditional Catholic spirit, with the genuine devotional feeling of the past, has been admirably preserved and combined with the approved requirements of modern taste, which, especially for a country whose people have not daily before their eyes the magnificent cathedrals of the ages of Faith and whose art history reaches back only a few decades of years, was felt to be all the more necessary...”
 
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