Margaret Ralston Gest

Inside the life of an esteemed artist from Philadelphia who changed the field for women and experimental artists.

Virtual exhibition created by Alexandra Elam, Class of 2029, 
Political Science and History major, Saint Joseph’s University

 

Margaret Ralston Gest (1900-1965) was an early American modernist, who explored many different mediums and styles in her ambitious career. She was inspired by her many travels and experiences throughout her eventful life. 
“Let your mind settle itself [...] Do not think [...] the goal is seeing on a different plane rather than a sharpening of the physical eye [...] You will then know something about your ordinary green field [...] an intuitive, creative faculty in you is working, and is beginning to tune in on the ‘more than’ in order to present its reports; it is not a new sense, but one you have always possessed ‘in the hiddenness,’ a natural instinct of great power that should be allowed to expand and fulfill its function. In fact, it is going against the elemental grain to smother it.”
 ~ Margaret Gest, quoted in Miriam Thrall, Handsworth Harvest (1974)

 

Fields on the Headland, n.d., Watercolor on wove paper., 10 x 14 in.
Haverford College (HC2017-0578).
Gift of Miriam M. H. Thrall.

Gest lived most of her life in a house called “Handsworth,” located on City Ave. It was built in 1882 by Addison Hutton for the Gest family.
Today Gest’s home is Wolfington Hall at SJU, where Campus Ministry is located. It was acquired by SJU after Gest died in 1965.
Early in her career, she explored the human figure, and created studies of nudes and portraits. She excelled at showing the range of human emotions through texture, line, and color.

 

Left: Verge of Tears, c. 1925. Oil on canvas. 24 x 20 ⅛ in. 
Saint Joseph's University (1966.3.18). Gift of Miriam M. H. Thrall

Right: Mother and Child, c. 1928. Oil on canvas. 33 x 28 ⅛ in.
Saint Joseph’s University (1966.3.16). Gift of Miriam M. H. Thrall

This is the only known self-portrait by Gest. She painted this in 1941. She portrays herself with extreme moodiness, using expressive black lines and contrasting greens and reds.

 

Margaret Gest, Head in Light, 1945.
Oil on canvas.
Haverford College
(HC09-4894).

One of Gest’s many passions was her grandiose garden, which she took great pride in cultivating. Among her favorite flowers were daffodils. When she passed away, she was last heard saying to a gardener “It’s a great day for planting daffodils.”
  • Margaret Gest, quoted by Thrall, Handsworth Harvest (1974). 
The beauty of nature and her love of gardening inspired many of her works. She experimented widely in the way she portrayed plants–both as still lifes and as landscapes. 

 

Margaret Gest, Anemones, 20th c. Pastel on paper.
Bryn Mawr College. 1950.18. Bequest of Mary La Boiteaux.

Trees Against Distant Wine Hills, n.d. Watercolor on wove paper. 10 x 14 in.
Haverford College (HC2017-0573). Gift of Miriam M. H. Thrall.

Left: O’Rourke’s Table, c. 1935-1940. Oil on canvas. 40 x 36 in.
Saint Joseph’s University (1966.3.12). Gift of Miriam M. H. Thrall.

Middle: Rocky Neck, n.d. Oil on beaverboard. 21 ¾ x 17 ½ in.
Haverford College  (HC13-5061. Gift of Miriam M. H. Thrall.

Right: Landscape in Watercolor, 1950. Watercolor on board. 17 x 21 ½ in.
Haverford College (HC2017-0460). Gift of Miriam M. H. Thrall

Gest took a lot of time travelling the world throughout her years. Her studies in Ireland, Massachusetts, and many other places exposed her to the unique landscapes and cultures of different countries and communities.

 

Clifton, Connemara, c. 1955-65. Oil on canvas. 22 x 28 in.
Saint Joseph’s University (1966.3.14). Gift of Miriam M. H. Thrall.

Gest was a professional painter for more than 40 years. During this time, she produced hundreds of paintings, drawings, and pastels. She worked with a wide range of subjects and artistic styles. 

 

Creation, n.d. OIl on board. 22 x 24 in.
Saint Joseph’s University (1966.3.11). Gift of Miriam M. H. Thrall.

Rocks and Sea, 1937. Watercolor on paper. 15 ½ x 21 ¾ in.
Haverford College (HC15-5007). Gift of Miriam M. H. Thrall.

Gest also loved depicting still lifes. As in her other work, her still lifes of fruits demonstrate her stylistic experimentation.

 

Left: Brass Canister, C. 1927. Oil on canvas. 26 x 30 in.
Saint Joseph’s University (1966.3.10). Gift of Miriam M. H. Thrall.

Right: Compote of Fruit, n.d. Pastel on paper. 4 x 4 ¾ in. (image). 
Haverford College (HC2017-0710). Gift of Miriam M. H. Thrall.

At times, Gest also fully explored abstraction. 

 

Left: Thrusting Blue, 1933. Pastel on paper. 8 ¼  x 8 ¼ in.
Haverford College (HC15-5002). Gift of Miriam M. H. Thrall.

Right: Abstract Composition, 1933. Pastel on paper. 8 ¼ x 8 ¼ in.
Haverford College (HC08–349). Gift of Miriam M. H. Thrall.

Many of Gest’s surviving works are sketches and studies she made for larger paintings. These include the studies she produced for Black Swans, which she exhibited at the Plastic Club in 1931. 

 

Top Left: Study for Black Swans, before 1931. Pencil on paper. 13 ½ x 17 in.
Haverford College (HC2017-0616). Gift of Miriam M. H. Thrall

Top Right: Study for Black Swans, before 1931. Pastel on paper. 13 ½ x 17 in.
Haverford College (HC2017-0574) Gift of Miriam M. H. Thrall.

Bottom: Black Swans, before 1931. Oil and silverleaf on board. 18 x 45 in.
Haverford College (HC15-5020). Gift of Miriam M. H. Thrall.

Miriam Thrall
The legacy of Margaret Gest was preserved thanks to Miriam Thrall, her lifelong partner. Thrall donated her works to Haverford College, Saint Joseph’s University, Smithsonian Art Museum,  Bryn Mawr College, Woodmere Art Museum, and Philadelphia Museum of Art. There are more than 300 surviving pieces from her collection. 

 

 

https://epay.sju.edu/C21318_ustores/web/product_detail.jsp?PRODUCTID=4203&SINGLESTORE=true

Downey, E., Hage, E., Storm, R. A., & Saint Joseph’s University. Frances M. Maguire Art Museum. (2025). Margaret Gest : painting at the threshold in 20th-c. Philadelphia. Saint Joseph’s University Press.

“Margaret Ralston Gest.” Haverford College. Retrieved 21 April 2026

http://ds-wordpress.haverford.edu/wp/margaret-gest/

 

 

“Margaret Ralston Gest,” Triarte: The Art and Artifacts Database of the TriColleges. Retrieved 22 April 2026. https://triarte.brynmawr.edu/artist-maker/info?records=60&query=Artist_Maker%3D%2222105%22 

Thrall, M. M. H. (1974). Handsworth harvest. Kutztown Publishing Company.

 

Link to all photos used - https://drive.google.com/drive/folders/1gOvjT5tSQWlgLseApcgpd8mKSLuxBjhu?usp=drive_link

 

 

 

1 of 16

September 18 - December 14, 2025

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Gest Connemara

Margaret Gest: Painting at the Threshold in 20th-c. Philadelphia

 This groundbreaking exhibition is the first major solo show on Margaret Ralston Gest (1900-1965), an artist who exhibited with the Philadelphia Ten, a group of professional women artists who organized regional and national exhibitions from 1917 to 1945. Featuring approximately 50 artworks, the show will bring together for the first time paintings and drawings from Saint Joseph’s University's permanent collection and other private and public collections in the region, including the Philadelphia Museum of Art, the Smithsonian American Art Museum, the Barnes Foundation, Woodmere Art Museum, Bryn Mawr College, and Haverford College.  

Gest worked at the threshold of modernism in Philadelphia–a period in the first half of the 20th century when artists increasingly engaged with abstraction and a variety of European avant-garde approaches and styles. Her distinctive style, marked by rich, saturated color, contrasting textures, and patterns of line and form, attracted significant recognition and acclaim. Gest studied under Hugh H. Breckenridge and Arthur B. Carles, and her extensive body of work – which includes landscapes, still lifes, genre scenes, female nudes, and abstract pieces –  conveys her eclectic artistic interests, as well as the impact of her training at the Pennsylvania Academy of the Fine Arts.  

Despite her achievements and wide recognition, Gest fell into obscurity after her death in 1965. This exhibition, which commemorates the 60th anniversary of the artist’s death, will reestablish Gest’s position as a Philadelphia modernist, drawing attention to her exceptional body of work, and elucidating her role in the close-knit network of artists, intellectuals, and professionals that enabled women to break into and find success in the male-dominated art world. The exhibition also emphasizes Philadelphia’s importance as a center for avant-garde art during this period, revising the traditional narrative that tends to focus on only New York City. Finally, it will highlight the significance of Gest for the history of Saint Joseph’s University. Gest–who also was a bibliophile and an author–worked closely with Jesuit scholars at the university, especially in her translation of The Odes of Horace (published posthumously in 1973). Her estate is now an integral part of the university’s Hawk Hill campus. Many of her artworks were donated to the university following her death by her companion, Miriam Thrall. 

Accompanying the exhibition will be a catalog that has been generously funded by the Wyeth Foundation for American Art. 

Erin Downey, M.A., Ph.D., Assistant Curator at the Frances M. Maguire Art Museum, is the curator.

 

EVENTS

September 20, 2025, 12:30 pm - 3 pm
Family Day with exhibition tour at 2 pm

October 16, 2025, 5:30 - 7:30 pm
Opening Reception and Panel Discussion
with Page Talbott Ph.D. (Drexel University), Patricia Likos Ricci Ph.D. (Elizabethtown University), and Erin Downey Ph.D. (Saint Joseph's University) | RSVP

November 6, 2025, 6 pm - 7 pm
Philosophy & Art: Discussion & Poetry Writing Workshop | RSVP
 

Virtual Curator Tour

Click the link above to view Dr. Erin Downey give a virtual tour of the Margaret Gest Exhibition.

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Becky